After A.D. 400, images of Jesus
began to be found all over churches,
catacombs and even on the vestments of
priests. Since the artists had no
knowledge of Jesus’ real appearance, they
developed their own images of Jesus with
features that continue to influence art to
this day.
The early images of Jesus portrayed
Him slightly differently from how He is
usually depicted today. Instead of being
slender with a beard, early art depicts Him
as a youthful, physically fit, clean-shaven,
though somewhat effeminate, long-haired
man.
Choosing to depict Jesus with long
hair was not a random decision on the
part of these early artists. They choose to
portray Christ this way because the male
gods of the Greco-Roman pantheon
almost always were depicted with long
hair. “In Greek and Roman art loose, long
hair was a mark of divinity … in letting his
hair down Christ took on an aura of
divinity that set him apart from the
disciples and onlookers who are
represented with him” (Thomas Mathews,
The Clash of Gods, 1993, pp. 126-127).
Many historians recognize that the
early images of Jesus were directly based
on the common features given to the sun
god Apollo. Notice these enlightening
quotes:
“When Christ is given a youthful,
beardless face and loose, long locks it
assimilates him into the company of
Apollo and Dionysus. … Insofar as he
copied the look of Apollo or Dionysus, he
assumed something of their feminine
aspect as well” (ibid., pp. 126-128).
“The clean-shaven visage more
resembles the representations of Apollo or
the youthful Dionysus, Mithras, and such
semi-divines or human heroes as
Orpheus, Meleager, and even Hercules. A
youthful appearance recalls the divine
attributes most associated with personal
savior gods” (Robin Jensen,
Understanding Early Christian Art, 2000, p.
119).
“Jesus’ representation as a version
of Apollo/Helios in the Vatican necropolis
demonstrates the way the Roman gods
were directly challenged; Jesus usurps
their place, often with iconographic
attributes that make him quite similar in
appearance to various pagan
deities” (ibid., p. 120).
Look at these images of Apollo and
note the similarities to many of the early
artistic portrayals of the youthful Jesus:
Later artists wanted to capture the
wisdom and power of Jesus as the
“heavenly judge.” These artists turned for
inspiration to the more powerful and
authoritative gods in the Roman
pantheon, such as Jupiter (the Roman
version of Zeus), Neptune and Serapis.
These gods, like Apollo, wore long hair to
distinguish them from mortals, but were
also distinguished by beards (which
symbolized their wisdom and authority).
These characteristics found their
way into artistic portrayals of Jesus. Notice
these quotes from historians:
“The representation of Christ as the
Almighty Lord on his judgement throne
owed something to pictures of
Zeus” (Henry Chadwick, The Penguin
History of the Early Church, 1967, p. 283).
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